THE GEOMETRY OF INTUITION

Carol Daigneault is an abstract artist whose work explores the relationship between perception, imagination and intuition. Her two decades as a certified Feng Shui practitioner and interior designer, and more than thirty years of intuitive study inform her sensitivity to spatial relationships, balance, and resonance.

New Work

Raising the Vibration Raising the Vibration
Quick View
Raising the Vibration
$895.00

30” x 24”

Acrylic and mixed media

Raising the Vibration considers those moments when awareness seems to expand beyond the boundaries of ordinary perception. Energy gathers, intensifies, and moves outward, suggesting an exchange between the individual and something larger.

This piece reflects on our interconnectedness—how thought, memory, and experience can converge to create a heightened sense of clarity, possibility, and connection.

Carbon to Crystaline
$1,100.00

36” x 24”

Acrylic and Mixed Media

Carbon to Crystalline explores transformation—the gradual movement from complexity toward greater clarity and coherence. Built through multiple layers of symbols, pattern, and color, the work holds traces of what came before while allowing new forms to emerge.

Six individual canvases come together as a larger whole, creating a vibrant, graphic statement piece that brings energy, color, and presence to a space. Pieces as hung independently so they can be rearranged into many different configuration and settings.

Patterns of Being #2 Patterns of Being #2
Quick View
Patterns of Being #2
$995.00

36” x 24”

Acrylic, collage and mixed media on canvas

The Patterns of Being series explores the repeating structures that shape both the visible and unseen dimensions of experience. These evolving patterns suggest the rhythms, relationships, and energetic currents that connect us, inviting quiet contemplation of the deeper order that exists beneath everyday perception.

Built through layers of acrylic, tissue paper collage, and mixed media, Patterns of Being #2 balances intuitive mark making with a quietly structured composition. The repeating geometric forms emerged naturally as the painting developed, later revealing a resemblance with the infinity sign that has become a recurring element in my work. Rich surface textures, luminous color relationships, and the generous 24" × 36" scale give the painting both visual impact and a sense of stillness, making it equally compelling as a standalone piece or partnered with Patterns of Being #1.

Close-up of an iPhone screen displaying the lock screen with the date Thursday, November 13, and the time 7:54. The background is an abstract, pastel-colored art piece with scribbles and light textures.