Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
11 3/4” x 7 3/4”
matted to 16” x 12”, an easily attainable standard frame size
Acrylic and mixed media on paper
While painting The Way Out, I explored balancing multiple perspectives — spaciousness with complexity as well as the personal with universal. Subtle symbols contrast with the richly layered rectangular forms. Nuanced color and intricate textures reward careful observation.
This series grew out of an intensive focus centered on experimentation, intuition, and discovery. Working in successive layers of transparent glazes, I explored the possibilities of expressive mark making while allowing color to become an active force in shaping each composition. Rather than working toward a predetermined image, I allowed each painting to evolve through observation, response, and refinement, resulting in compositions that feel both spontaneous and thoughtfully resolved.
11 3/4” x 7 3/4”
matted to 16” x 12”, an easily attainable standard frame size
Acrylic and mixed media on paper
While painting The Way Out, I explored balancing multiple perspectives — spaciousness with complexity as well as the personal with universal. Subtle symbols contrast with the richly layered rectangular forms. Nuanced color and intricate textures reward careful observation.
This series grew out of an intensive focus centered on experimentation, intuition, and discovery. Working in successive layers of transparent glazes, I explored the possibilities of expressive mark making while allowing color to become an active force in shaping each composition. Rather than working toward a predetermined image, I allowed each painting to evolve through observation, response, and refinement, resulting in compositions that feel both spontaneous and thoughtfully resolved.
